

Simple Isla Mujeres residence Gate. Adequate for the job at hand.
The two pictures above are simply meant to contrast high and low end archetectual ironwork. What follows in this section of my "pictures" page is a short photo essay of low to medium end ironwork that I have seen on the east side of the Mexican Yucatan pennisula. "Low End" does not make ironwork bad; just less artistic, in my mind. "Quality" in ironwork, as in everything else, deals with how well the product or service delivered meets the requirements of the customer.
You can buy many books that catalog this or that famous smith to see examples of beautifal forged artwork that also
serves to protect, direct, support etc..
I guess I am talking mostly about gates, railings, grills, tables and that sort of thing.
What I want to do here is to show a few of the differences between "utilitarian" and "easy on the eyes".
For example:
Several years ago, I engaged a local tour guide to take me to visit the "best" blacksmiths in Cancun, a city of about
600,000 souls at the time. He took me to 2 shops. They were both doing a big business in gates, railings and window
grills. Neither one had any forging capability. The larger one did have a forge in the corner, but it had not been
used in many years and nobody in the place knew how to use it. This tells me the current state of customer needs for
that area, I think. Please correct me if I am wrong.
I am pretty sure that no customer of ironwork says to their supplier: "I want an ugly gate to keep the bad guys out
of my yard".
or-
"I want you to weld up some supports and put a top on a coffee table and I don't care WHAT it looks like".
But where defense or utility is the first priority and cost is THE key factor, a "form follows function" piece is what will likely be the result.
If, however, the client wishes to add some degree of artsy "design", then, let the games begin!
The artist/blacksmith/fabricator has many "elements" in his repetiore' from which to choose. And once the basic required dimensions of the piece are in hand, he can begin to build them into a pleasing and/or cost effective design. As the design complexity increases, so does the cost to the client, of course.
The first Isla Mujeres gallery shows many examples where the fabicator uses a very few inexpensive elements to move a tiny
bit away from the soley utilitarian.
Thank God for the Hossfeld bender scroll jig, they must think. That's the device that makes the simple "bent the easy way"
1 1/4 turn scrolls with the flat spot at the end.
You will still see a lot of the "Hossfeld Scroll" in the second Isla Mujeres gallery, but you do see an occasional attempt to do something to treat the end of the scroll.
Moving on to the Avalon Grand section, you begin to see a few snub end scrolls and a few scrolls where the inner end has been widened by forging.
Not that scrolls are the only element is use, but the scroll has been around for a long, long time and it makes a good example of the continuum between a totally non-forged Hossfeld Scroll and a well executed "Blown-over Scoll."
In this "Avalon Grand" gallery, you see even more attention given toward pleasing the eye. Somebody in the interior decoration business consulted an artist-blacksmith for this place, even if they didn't take all his or her advice.
From a couple of visits to Europe via the ABANA European Tour program, I extracted the pictures that showed tools and tooling that I thought was different from what us USA-types have in our shops.